Joshua Redman
Friday, August 22
5:30pm Main Stage
listen to music
Joshua Redman is one of the most acclaimed and charismatic jazz artists to have
emerged in the decade of the 1990s. Born in Berkeley, California, he is the son
of legendary saxophonist Dewey Redman and dancer Renee Shedroff. He was exposed
at an early age to a variety of musics (jazz, classical, rock, soul, Indian,
Indonesian, Middle-Eastern, African) and instruments (recorder, piano, guitar,
gatham, gamelan), and began playing clarinet at age nine before switching to
what became his primary instrument, the tenor saxophone, one year later. The
early influences of John Coltrane, Ornette Coleman, Cannonball Adderley and his
father, Dewey Redman, as well as The Beatles, Aretha Franklin, the Temptations,
Earth, Wind and Fire, Prince, The Police and Led Zeppelin drew Joshua more
deeply into music. But although Joshua loved playing the saxophone and was a
dedicated member of the award-winning Berkeley High School Jazz Ensemble and
Combo from 1983-86, academics were always his first priority, and he never
seriously considered becoming a professional musician.
In 1991 Redman graduated from Harvard College summa cum laude, Phi Beta Kappa
with a B.A. in Social Studies. He had already been accepted by Yale Law School,
but deferred entrance for what he believed was only going to be one year. Some
of his friends (former students at the Berklee College of Music whom Joshua had
met while in Boston) had recently relocated to Brooklyn, and they were looking
for another housemate to help with the rent. Redman accepted their invitation
to move in, and almost immediately he found himself immersed in the New York
jazz scene. He began jamming and gigging regularly with some of the leading
jazz musicians of his generation: Peter Bernstein, Larry Goldings, Kevin Hays,
Roy Hargrove, Geoff Keezer, Leon Parker, Jorge Rossy and Mark Turner (to name
just a few). In November of that year, five months after moving to New York,
Redman was named the winner of the prestigious Thelonious Monk International
Saxophone Competition. This was only one of the more visible highlights from a
year that saw Redman beginning to tour and record with jazz masters such as his
father, Jack DeJohnette, Charlie Haden, Elvin Jones, Joe Lovano, Pat Metheny,
Paul Motian, and Clark Terry. For Joshua, this was a period of tremendous
growth, invaluable experience and endless inspiration.
Now fully committed to a life in music, Redman was quickly signed by Warner
Bros. Records and issued his first, self-titled album in the spring of 1993,
which subsequently earned Redman his first Grammy nomination. That fall saw the
release of Wish, where Joshua was joined by the all-star cast of Pat Metheny,
Charlie Haden and Billy Higgins. He toured extensively with Metheny throughout
the latter half of that year. His next recording, MoodSwing, was released in
1994, and it introduced his first permanent band, which included three other
young musicians who have gone on to become some of the most important and
influential artists in modern jazz: pianist Brad Mehldau, bassist Christian
McBride and drummer Brian Blade. A later edition of this ensemble included
guitarist Peter Bernstein, pianist Peter Martin, bassist Chris Thomas and
Blade. Over a series of celebrated recordings including Spirit of the
Moment/Live at the Village Vanguard, Freedom in the Groove and Timeless Tales
(for Changing Times), Redman established himself as one of the music’s most
consistent and successful bandleaders, and added soprano and alto saxophones to
his instrumental arsenal. Joshua’s second acclaimed quartet, featuring pianist
Aaron Goldberg, bassist Reuben Rogers and drummer Gregory Hutchinson, was
formed in 1998 and made its recorded debut on the 2000 album Beyond. The
dynamic interplay and uncommon rapport of this group inspired Redman to write and
record his first long-form composition, Passage of Time, which was released in
2001.
A year later, Redman began to channel his jazz sensibilities through new
instrumentation and formed The Elastic Band, a flexible, electrified,
groove-based trio built on an ongoing collaboration with keyboardist Sam Yahel
and drummer Brian Blade. The band debuted on the 2002 releases yaya3 and
Elastic. Drummer Jeff Ballard began to play regularly with the Elastic Band
later that year, and he (along with Blade and Yahel) played a central role in
their next recording, the Grammy-nominated Momentum, which was released in 2005
to inaugurate Redman’s affiliation with Nonesuch Records, and featured a
diverse and exciting lineup of special guests.
In 2000, Redman was named Artistic Director for the Spring Season of the
non-profit jazz-presenting organization SFJAZZ. Redman and SFJAZZ Executive
Director Randall Kline had an idea that The New York Times called a “eureka
moment”; the creation of the SFJAZZ Collective, an ensemble distinguished both
by the creativity of its members and a unique primary emphasis on composition.
Inaugurated in 2004, the eight-piece band consists of a multi-generational cast
of accomplished musicians. The Collective’s repertoire features both commissioned
works and new arrangements of the work of great modern jazz composers. In March
2007, Redman announced that he was taking a hiatus from both the SFJAZZ
Artistic Directorship and the SFJAZZ Collective in order to focus on new
projects.
The following month, Nonesuch released Redman’s first ever piano-less trio
record, featuring Joshua alongside three stellar bass and drum rhythm sections
(Larry Grenadier & Ali Jackson, Christian McBride & Brian Blade, Reuben
Rogers & Eric Harland) and three very special guest saxophonists (Chris
Cheek, Joe Lovano and Dewey Redman).
In addition to his own projects, Redman has recorded and performed with
musicians such as Brian Blade, Ray Brown, Dave Brubeck, Chick Corea, The Dave
Matthews Band, Jack DeJohnette, Bill Frisell, Aaron Goldberg, Larry Goldings,
Charlie Haden, Herbie Hancock, Roy Hargrove, Roy Haynes, Billie Higgins, Milt
Jackson, Elvin Jones, Quincy Jones, Big Daddy Kane, Geoff Keezer, B.B. King,
The Lincoln Center Jazz Orchestra, DJ Logic, Joe Lovano, Yo Yo Ma, Branford
Marsalis, Christian McBride, John Medeski, Brad Mehldau, Pat Metheny, Marcus
Miller, Paul Motian, MeShell Ndegeocello, Leon Parker, Nicholas Payton, John
Psathas, Simon Rattle, Dewey Redman, Dianne Reeves, Melvin Rhyne, The Rolling
Stones, The Roots, Kurt Rosenwinkel, John Scofield, Soulive, String Cheese
Incident, Clark Terry, Toots Thielemans, The Trondheim Jazz Orchestra, Mark
Turner, McCoy Tyner, Umphrey’s McGee, US3, Bugge Wesseltoft, Cedar Walton,
Stevie Wonder and Sam Yahel. Joshua Redman has been nominated for 2 Grammys and
has garnered top honors in critics and readers polls of DownBeat, Jazz Times,
The Village Voice and Rolling Stone. He wrote and performed the music for Louis
Malle’s final film Vanya on 42nd Street, and is both seen and heard in the
Robert Altman film Kansas City.